Multidisciplinary drummer and artist Katharina Ernst unites abstract composition and polyrhythmic solo performance on her absorbing debut solo album, Extrametric.
The horror (= "Schrecken") in Schweighart's songs is probably more of a delicate one, shaking under the melancholy of his songs and echoing in his own shallows, but therefore all the more shattering.
The dystopian avant pop of ƒauna returns on second full length album Infernum. ƒauna scatters her worldview via club and pop tropes, into vast atmospheric chambers laden with hooks, and weighed down with equal parts hope and despair.
For the fourth part of their DECOMPOSITION series the duo kutin | kindlinger confirm the projects identity, but present a concept that is even more innovative and fascinating.
Asfast aka Leon Leder is a master of restrained and concise expression. With his Haiku-esque cuts he is able to delimit a spectrum of emotion, conveying longing, fear and hope whilst staying gripped to a glacial surface.
The soft dispersing pulses of the synths shape transcient atmospheres, reminding of early IDM or an evanacing Afterhour-Techno: globular beats and warm melodic sketches intertwine in airy polyrhythms.
